Decisions have been made.

I've made the decision to self-publish. It wasn't an easy decision to make. I really wanted the glory of being able to tell my family and friends that I had found an agent and that one of the big publishers would be publishing my book. It was purely an ego trip waiting to happen. But there were two problems I faced. The first was the length of my novel. I'm getting closer to finalizing my edits and it appears as though it'll be somewhere between 140-150K words. I've read far too often that nobody gives a debut novel of that length a chance, because they fear the cost of printing something that long from an unproven author. The second problem I faced is that I didn't believe any publisher would ever match me up with a cover artist who conveyed the soul of my book the way I wanted it conveyed.

For those who didn't hear, Konrath sold his one millionth book recently. That's a LOT of books. The first thing he credited was professional covers. I couldn't agree more. the cover is the first thing the reader associates with your book. Trying my hardest not to exaggerate, I would estimate that I considered approximately a hundred cover artists/designers. Some I linked in previous posts. here is a sampling of the others I considered and rejected:

http://wicked-art.wix.com/wicked-cover-designs
http://extendedimagery.com/predesignedcovers.html
http://paulyoull.com/paulyoull.com/GALLERY/Pages/Environment.html#11
http://www.goonwrite.com/
http://incendiarymedia.deviantart.com/art/Phoenix-342175804
http://www.istockphoto.com/stock-illustration-20647192-people-are-actively-thinking.php?st=cd9717c
http://www.istockphoto.com/stock-illustration-21227765-space-scene.php?st=cd9717c
http://www.istockphoto.com/stock-illustration-19300132-dna-spiral.php?st=cd9717c
http://tomedwardsdmuga.blogspot.co.uk/

The list goes on and on. Finally, I found an artist I wholeheartedly believed could represent my words the way I wanted, and I commissioned her to do my cover. She's a Frenchman with the color schemes and designs I adore. I could've bought a cover for Lames at Humblenations that was CLOSE to what I wanted for $30. I came close. I almost pulled the trigger. Problem is, it was a pre-made cover that didn't relate more than the general feel of my novel. I wanted something specific. So I'll pay more than 20 times that to have someone I consider a world-class artist draw exactly what I want. It is a WONDERFUL feeling of artistic control. I never realized the joy I might draw from this. I imagine kings and queens of old used to feel like this when they'd take a liking to the style of a local artist and commission him to paint family members. On deviantart, she calls herself Genkkis. This is a sample of her art:

http://browse.deviantart.com/?qh=&section=&global=1&q=genkkis#/art/Honor-Harrington-Flag-in-exile-159281329?_sid=57c437ae

For a few days I've been plotting the instructions to give her. The primary goals are to covey that the book is science fiction, that there is action, and that there is a love story. That means I need a montage. I've drawn up instructions exactly how I think those can be conveyed, and I've given her some options as to which scenes she can use to convey those things. I think leaving the cover artist some choices is critical, because she gets to draw what she's comfortable drawing. She draws what she WANTS to draw.

It feels great to get this part out of the way. Now I have to find the third part of the trifecta. My editor. The cover won't be ready until well into summer, so I have a little time to finish my edits, but they should be done around the time the over will be done. The moment they're done, the search for an editor will begin in earnest. I have whittled THAT list down as well. I never thought I'd enjoy this part of publishing, but it seems it has become my favorite part. Whatever the outcome, I will have nobody to blame because I will have controlled the entirety of the book's production, and I have to confess that I wouldn't want it any other way.